Centerpiece by Giuliana Gramigna and Sergio Mazza for Krupp Milano, 1960s

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About This Piece

Vintage Design

Massive centerpiece, designed by Giuliana Gramigna and Sergio Mazza, for Arthur Krupp Milano, 1968.
Part of the "linea dell'orso" collection. The large, heavy plate is made of highly polished stainless steel. It is engraved on the underside with Arthur Krupp Milano and the signatures of both designers. The centerpiece shows signs of wear in the form of scratches and polishing marks, but is overall in good condition.

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Creator	Sergio Mazza, Giuliana Gramigna
Design Period	1960 to 1969
Production Period	1960 to 1969
Country of Manufacture	Italy
Identifying Marks	This piece has an attribution mark
Style	Italian Modern, Minimalist
Detailed Condition	Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details	Light wear consistent with age and use
Product Code	WLN-2200356
Materials	Steel
Color	Silver
Height	2 cm 2 cm
Diameter	39 cm

Shipping & Delivery

Ships from	Germany
Returns	Returns accepted within two days of delivery, except for Made-to-order items

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

About the Designers

Sergio Mazza

Italian designer Sergio Mazza is known for his plastic design and lighting design, as well as his contribution to the Italian lighting design sector made through Artemide, the world-renowned lighting company he co-founded in 1960.

Mazza was born in 1931 in Milan and studied architecture in Lausanne. After graduating in 1954, Mazza opened his own studio. In 1960, he co-founded Artemide with engineer and designer Ernesto Gismondi (born in San Remo, 1931). Their goal was to produce timeless and technically-innovative products. Mazza designed the company’s first successful product, the Alfa Lamp (1959), which incorporated natural and manmade elements of glass, marble, and metal.

Mazza continued to contribute to Artemide’s ever-evolving collections over the following decades, including fiberglass molded seating and other home furnishings for Artemide throughout the 1960s, which were produced for a short period time, and are highly-sought after by collectors today. He also spearheaded the company’s mission to develop distinctive, architecturally-driven lamps, pendants, and other fixtures in collaboration with major design talents from around the world. Notable designs include the Delta Lamp (1963), Mida Armchair (1966), Bacco Bar (1967), the stacking Toga Chair (1968), which is made from one continuous piece of fibreglass and was first shown at the International Furniture Exhibition in Milan in 1969.

In 1961, Mazza split from Gismondi, and along with architect Giuliana Gramigna opened their Milan-based label Studio Smc. Together they designed furniture and other products for Arflex, Artemide, Cinova, Formica, Krupp, Poltrona Frau, Quattrifolio, Saporiti, and Valenti. From 1966 until 1988, Mazza was the co-director of Ottagono, a magazine which played a significant role in supporting contemporary Italian design culture. In 1967, Mazza began designing for the Italian industrial company Olivari.

Over the course of his illustrious career, Mazza received many honors and awards including a silver medal for his Appartamento Italiano at Milan’s 10th Triennale exhibition in 1954, and a Compasso d'Oro for the Delta Lamp in 1960. A model of his Toga Chair is housed in the V&A Museum in London.